w. l. schafer WLS jazzresin. Remote View Scanner for Historical Presence, iOs recording artist
Saturday, November 5, 2016
Tuesday, November 1, 2016
Wsb
by Lord Summerisle
The Cut-Up Technique and Trilogy
Burroughs accumulated a great amount of challenging theories during his lifetime. Many of them manifest themselves in theme form inside his writing, which is where one finds the more autobiographical elements to his work, issues of sexuality, addiction and paranoia; Burroughs own life entering the fiction to create his 'Interzone'*. Jack Sargeant writes, speaking of Burroughs post 50's work in Naked Lens; Beat Cinema (2001), "The dualism of 'fiction' and 'non-fiction' is, of course, redundant when dealing with these texts, a more appropriate terminology would be 'slipstream'."
Others are formal techniques like the cut-up, which have direct effect on the content and are designed to question the interplay between writer and reader, as well as language itself.
The most effective way of examining all of these elements is to look at his 1960's writing, a period where Burroughs was developing his anarchistic political literary approach and when his various collaborations began to bare fruit. The most radical example of this is the invention of the cut-up technique. A method synonymous with Burroughs, although it was his artist friend and neighbour, Brion Gysin, who devised it in September, 1959, in room #15 at the Beat Hotel, 9 Rue Git La Coeur, Paris. He was preparing a mount for a drawing of his with a stanley knife and cut through several layers of newspaper. "Through this apparently random event the written text was opened to the potentialities of montage and juxtaposition." (p.169, Sargeant, 2001) Gysin was excited by this and claimed that it was what writing needed to bring it up to date with art, comparing it to Cubist painting.
Later he wrote of this in his and Burroughs collaborative book The Third Mind (1979), "Writing is fifty years behind painting. I propose to apply the painters' techniques to writing; things as simple and immediate as collage or montage."
He imparted its importance to Burroughs and others, as they were not the only ones to benefit from Gysin's initial serendipity and subsequent epiphany. Many residents and cohorts of the Beat Hotel took to the idea, Burroughs was just the one who applied it best.
Burroughs himself utilised the cut-up for his own purposes throughout his 60's literature and film collaborations, to challenge the media of both writing and cinema.
In The Soft Machine the cut-up is used experimentally and all three editions of the book have a variable amount of cut-up material in them, although it is difficult to specify or identify where these areas lie as his writing by its very nature is fragmentary and abstract** so using the cut-up technique is just another tool to disorientate the reader and create conflict through the opposition of established methods.
"Burroughs creates conflict through opposition to authority, and this includes the authority of established methods of plot, time and space in novels and the readers' response to them." (p.12, Mottram, 1964)
The concept of disorientation through opposition is a central one essay and is something present within all Burroughs own and influenced works as it is key as the disruption of 'control'.
Control is a theme that was spawned by the drug induced paranoia of his early books, Junkie and Naked Lunch, then developed as he became more politically aware, into a broader concept of power against those who oppose it, in the cut-up trilogy The Soft Machine, The Ticket That Exploded and Nova Express. This, of course, runs along side the 'virus power' notion (which will be elaborated on in the following section) and his distrust of and opposition to conventional language, reinforced by the chaos of cut-up, and in the case of the latter two books, folded-in, material. This technique relates to space and time, and to Burroughs this accentuated the science fiction context of the cut-up trilogy to actively travelling through space-time in the writing process.
"A Russian scientist has said that we will travel, not only in space, but in time as well, that is to travel in space is to travel in time, and if writers are to travel in space-time and explore the areas opened in the space age, I think they must develop techniques as new and definite as the technique of physical space travel." (William S Burroughs interviewed by Eric Mottram in 1964, [p.14, Hibbard, 1999])
This is shown in this passage from The Soft Machine (p.50):
"Now when I fold today's paper in with yesterday's paper and arrange the picture's to form a time section montage I am literally moving back to the time when I read yesterday's paper, that is travelling in time back to yesterday – I did this eight hours a day for three months – I went back as far as the papers went – I dug out old magazines and forgotten novels and letters – I made fold-ins and composites and I did the same with photos"
The passage not only shows how important he viewed the cut-up, but also provides an example of the way much of his literature works. Burroughs brings form into the content, characteristically expressing his ideas directly through the fictional context of a character within the text. It will become clear how recurrent Sargeant's 'slipstream' notion is as the body of this work progresses, and how it is equally relevant to film.
Not only do some of Burroughs' concepts appear overtly in his work but also his personal life is threaded throughout his fictional writing. There are overt references similar to the discussed passage in which his personal life is cut into the text. For example, in The Soft Machine Burroughs refers to his homosexual lover Kiki several times, once briefly describing his death, which had occurred a few years previously. The character Kiki also appears in the film version of Naked Lunch, which is very much a continuation of the 'slipstream' fiction/non-fiction amalgamation, this will be discussed fully when deconstructing the film and its connections to Burroughs literary concepts.
There are also non overt themes expressed through motif or narrative devise to convey personal positioning with regards to many issues: Sexuality (Burroughs was a known homosexual, coming out soon after Joan's death), much of his writing contains explicit homosexual imagery and women feature in perfunctory roles, if at all. Drugs and addiction, trademark Beat concerns, are also central to Burroughs work (as they were to his life) Corruption, part of the control paranoia he was concerned with at this period that is also connected to 'the word virus'.
Rubbing Out the Word
The reason Burroughs wanted to deconstruct standard conventions of language was to discover "what words actually are, and exactly what is the relationship to the human nervous system." (p.12, Mottram, 1964) His writing is waging a war against conventions of language through the cut-up to make the reader step back and re-assess their role as well as the psychological construction of conventional language. He comments about this in The Algebra of Need (p.155, Mottram, 1977), "Now, rubbing out the word could make objective alterations in this actual physico-psychological structure. What these alterations would be we have no way of knowing…" One can see here where his anarchistic attitude to language stems from. He continues to discuss how the practise of language connects to a war society that is in harmony with the 'virus power'. "Verbalisation has got us precisely where we are: war is a word. The whole war universe is a verbal universe, which means they've got us in the impasse. And in order to break out of that impasse it would seem desirable to explore alternative methods of communication." His books are furnished with weaponry of various kinds symbolic of his war on language and consciousness as well as controlling powers.
Wsb
wls777
Sunday, October 16, 2016
Fwd: 2 Opportunities to see /hear Dr. Greer
Sent to awaken the most extraordinary CE-5 event
Begin forwarded message:
From: "Dr. Steven Greer" <info@siriusdisclosure.com>
Date: October 16, 2016 at 11:33:48 AM CDT
To: Complexlex@gmail.com
Subject: 2 Opportunities to see /hear Dr. Greer
Reply-To: info@siriusdisclosure.com
In depth - Contact - Nov 12 / Cosmic False Flag - Nov 13
In Depth - Contact - November 12 - Cosmic False Flag - November 13
2 opportunities to see/hear Dr. Greervia lecture and webinar
(These are the only appearances Dr. Greer has scheduled for the rest of 2016.)November 12 - Contact and Higher States of Consciousness - Laughlin NV - Saturday November 12 - 2pm - 4pmas part of StarworksUSA.com A very special UFO conference emphasizing Art, Music and UFOs - The Evolution of Human Consciousness.Dr. Greer will share recent experiences from the Joshua Tree expedition in September + photos and videos from other CE-5 Expeditions.November 13 - Cosmic False Flaglecture and webinar in Las Vegas NV.7pm -10pm pacific time - Greenspun Auditorium at UNLV.
HOW COVERT INTERESTS ARE LAYING THE FOUNDATION FOR A FALSE ALIEN THREAT AND A POTENTIAL MILITARISTIC TAKEOVER OF THE EARTH- 1940S- PRESENTIn the most shocking and important seminar you will ever hear on the UFO/ ET subject, Dr. Steven Greer will present the history, methods and plans for a staged, covert Cosmic 911.What you learn will disturb you. It will enlighten you. But be prepared- this information will be shocking and true.Knowledge is power: This means by knowing of these nefarious plans, we can avert them!This is the event you absolutely do not want to miss!You will learn:> How the false alien threat has already been hoaxed- and how this has been accomplished. Names will be named: You will learn how the deep national security state and covert military operations have staged false Alien Abductions, Mutilations- and what technologies have been used.> What technologies have been developed since the 1940s that enable para-military Unacknowledged Special Access Projects (USAPs) to affect consciousness, stage false Alien events and plant the seeds of fear to justify a scripted Armageddon !> How man-made UFOs, hollywood-style staging and very advanced electronic warfare systems enable USAPs to stage abductions, mutilations and other false-flag events - and how these have conditioned and prepared the world through the fear of Aliens for the coming hoax of an official Alien Threat.> New Official Air Force whistle-blower testimony confirms the false flag plan and the intent to achieve it!> The emergence by 1956 of advanced electronic warfare technologies that affect consciousness- and how these pscho-tronics can give the target (victim) ANY experience that is scripted.> The connection between the so-called Secret Space Program, the MK-Ultra projects and the experiences of victims like Corey Good and Bill Thompkin- How USAPs have created pre-positioned Manchurian Candidates through programmed experiences using electronic warfare mind-altering technologies.Click here for tickets for live presentation - Cosmic False Flag
Sirius Technology Advanced Research, LLCPO Box 265, Crozet, VA 22932
See what's happening on our social sites:
STAR LLC, PO Box 265, Crozet, VA 22920
Sent by info@siriusdisclosure.com in collaboration with
Monday, October 10, 2016
Saturday, September 24, 2016
Friday, September 23, 2016
Metaelection 20000
amb avant23garde ink - Yahoo Groups
metaelection 2000- by will "lincoln"
schafer<br><br>airplanes over st. louis airplanes crash <br>I would have
voted nader if I did vote. I walked into my childhood
haunt thornhill library at 9:45 this morning and
angered at the moron drivers in the parking lot. Was I
the only young person present wearing a black hoodie
lincoln patch. I walked out for the lines were abyssmal
with old people. anyways I was thrilled at the massive
indecision of this dead heat. <br>I campaign for third
party.<br><br>tippergore u get what's comin' to you for your intrusion
upon music in the early 80's <br><br>last night I
watched a pbs show upon the candidates. both drug users
that's encouraging. gush + bore, what difference. Gore's
a natural born loser....lost his own state for gosh
sake. bush a playboy winner ran a baseball team w/
nolan ryan. yep like a massive hardon florida was
stroked late into the early morning...It is 25 minutes
past that horrible -and I mean terrible- version of
'america the beautiful' in texas. and I am genuflecting
upon my own political participation(nonparticipation)
I truly did not mind clinton cause what's the
kingscapegoat for but to entertain. would al gore entertain ?
no.. will bush? already proven on our humor barometer
of late night sitcom trash generators.
<br><br>planes fall from the sky....I drive by lambert and see
plane crashes all around us. important plane crashes
indeed! <br>missouri is a fascinating place...more
preferable than newyork or seattle. poor
chicago......<br>the guns and the rural still hold reign.<br><br>bush
n'the cia...and eh what whas jeb doing there in the
first place...<br>why did carnahans plane go down? will
they all get along...just wish the best for the
country even if theyre system is questionable. <br>today
fortunatly I called on my powers to be an observing canadian
god knows I'm not your typical american.<br><br>meybe
this is the new era of chill vs. the uptight with
chill winning in all of the strangest
places-republican!-<br><br>well here's to unity<br><br>godspeed amerika
wls 777 since 1971.
Tuesday, September 20, 2016
I hope every tendril of your best friend meth makes you see the light
Its making me strong again being sober
Thank you
What hurts the most is that your at a stage of addiction where excuses and dope comfort the inteligence more than the truth and belials worthless lies erode the sirens emergency call for you
As hades mud covers the
Sign that says play at your own risk as karma erases the fissures of esteem in the styx aquamarine tonetensors dissonar
Disassociates the social nice
The paranoid lice of normalcy make us conform with a hair cut
I have no love for these states of anti all thongs considered Bi sectz phoniapobias
Wordsmith i am knotte
The blood flower angel glide was never nutting
But a little whyte lie
Like a dizzying grace note
Of out phrase pollack joke
Truly taste the pain refeains of classical
Whimsy
You are wimpy when you remind me that the race kard is a moot fear that unknowing let the count drac in to terrorize yallz
Neihborhood
Plz quit blaming me
I enjoyed every minute of the escapist plot
I hate the privi we both get
I hate that not selfish enuff to own this dilapidated pharm.
I am no capitalist
Nor can i be a fascist maskerraid ball
Natl sociotelescope
I&👁reccibo the
Sifting grift of your flour
Sent to awaken the most extraordinary CE-5 event
Monday, September 19, 2016
Sunday, September 18, 2016
Thursday, September 8, 2016
3010121_G.jpg 645×430 pixels
wls777
Thursday, August 25, 2016
Listen to my latest mix!
Tuesday, August 9, 2016
n.
1.
a. Intensification and prolongation of sound, especially of a musical tone, produced by sympathetic vibration.
b. Intensification of vocal tones during articulation, as by the air cavities of the mouth and nasal passages.
c. Medicine The sound produced by diagnostic percussion of the normal chest.
2. Richness or significance, especially in evoking an association or strong emotion: "Israel, gateway to Mecca, is of course a land of religious resonance and geopolitical significance" (James Wolcott).
3. Physics The increase in amplitude of oscillation of an electric or mechanical system exposed to a periodic force whose frequency is equal or very close to the natural undamped frequency of the system.
4. Physics A subatomic particle having too short a lifetime to be observed directly and whose existence is inferred from a peak in the energy distribution of its decay products.
5. Chemistry The property of a compound having simultaneously the characteristics of two or more structural forms that differ only in the distribution of electrons. Such compounds are highly stable and cannot be properly represented by a single structural formula.
American Heritage® Dictionary of the English Language, Fifth Edition. Copyright © 2011 by Houghton Mifflin Harcourt Publishing Company. Published by Houghton Mifflin Harcourt Publishing Company. All rights reserved.
resonance (ˈrɛzənəns)
n
1. the condition or quality of being resonant
2. (General Physics) sound produced by a body vibrating in sympathy with a neighbouring source of sound
3. (General Physics) the condition of a body or system when it is subjected to a periodic disturbance of the same frequency as the natural frequency of the body or system. At this frequency the system displays an enhanced oscillation or vibration
4. (Phonetics & Phonology) amplification of speech sounds by sympathetic vibration in the bone structure of the head and chest, resounding in the cavities of the nose, mouth, and pharynx
5. (Electronics) electronics the condition of an electrical circuit when the frequency is such that the capacitive and inductive reactances are equal in magnitude. In a series circuit there is then maximum alternating current whilst in a parallel circuit there is minimum alternating current
6. (Medicine) med the sound heard when percussing a hollow bodily structure, esp the chest or abdomen. Change in the quality of the sound often indicates an underlying disease or disorder
7. (Chemistry) chem the phenomenon in which the electronic structure of a molecule can be represented by two or more hypothetical structures involving single, double, and triple chemical bonds. The true structure is considered to be an average of these theoretical structures
8. (General Physics) physics
a. the condition of a system in which there is a sharp maximum probability for the absorption of electromagnetic radiation or capture of particles
b. a type of elementary particle of extremely short lifetime. Resonances are regarded as excited states of more stable particles
c. a highly transient atomic state formed during a collision process
[C16: from Latin resonāre to resound]
Collins English Dictionary – Complete and Unabridged, 12th Edition 2014 © HarperCollins Publishers 1991, 1994, 1998, 2000, 2003, 2006, 2007, 2009, 2011, 2014
res•o•nance (ˈrɛz ə nəns)
n.
1. the state or quality of being resonant.
2. the prolongation of sound by reflection; reverberation.
3.
a. amplification of a source of speech sounds, esp. of phonation, by sympathetic vibration of the air, esp. in the cavities of the mouth, nose, and pharynx.
b. a characteristic quality of a particular voiced speech sound imparted by the distribution of amplitudes among the cavities of the head, chest, and throat.
4.
a. a larger than normal vibration produced in response to a stimulus whose frequency is close to the natural frequency of the vibrating system.
b. any of the states of an oscillating system, as an electric circuit, in which a value much larger than average is maintained for a given frequency.
5. a quality of enriched significance, profundity, or allusiveness: The poem has a resonance beyond its surface meaning.
6. the chemical phenomenon in which the arrangement of the valence electrons of a molecule changes back and forth between two or more states.
7. (in percussing for diagnostic purposes) a sound produced when air is present.
[1485–95; < Middle French < Latin resonantia echo =reson(āre) to resound + -antia -ance]
Random House Kernerman Webster's College Dictionary, © 2010 K Dictionaries Ltd. Copyright 2005, 1997, 1991 by Random House, Inc. All rights reserved.
res·o·nance (rĕz′ə-nəns)
The phenomenon whereby an oscillating system, such as a swing, will oscillate more strongly when it is exposed to a periodic force that is applied with the same frequency as that of the oscillating system. For example, a swing will swing to greater heights if each consecutive push on it is timed to be in rhythm with the initial swing. A radio is tuned by adjusting the frequency of the receiver so that it matches that of the incoming radio waves.
The American Heritage® Dictionary of Student Science, Second Edition. Copyright © 2014 by Houghton Mifflin Harcourt Publishing Company. Published by Houghton Mifflin Harcourt Publishing Company. All rights reserved.
ThesaurusAntonyms
Friday, August 5, 2016
Cosmo's 44 Most Ridiculous Sex Tips - Nerve
yo I rock ol skool with BlackBerry torch 9810 by AT&T.
Sunday, July 31, 2016
Saturday, July 30, 2016
Thursday, July 28, 2016
Monday, July 25, 2016
Monday, July 18, 2016
Fwd: Rental Application Screening for 2010 Newton Dr #7
wls777
Begin forwarded message:
From: colin@modernpropertygroups.com
Date: July 18, 2016 at 8:01:48 AM CDT
To: Jazzresin@gmail.com
Subject: Rental Application Screening for 2010 Newton Dr #7
Hello William,I have begun processing your application(s) to rent the property @ 2010 Newton Dr #7 from Modern Property Groups.Our leasing process is as follows:1) We will run a background and credit check on all parties applying to rent.2) We will calculate your average monthly income from the paystubs you provided.3) We will send a rental verification to the previous landlord of all applicants. We will send it three times total. Modern Property Groups prides itself on communication, so we will be CC'ing you on all outgoing office communication to references. This will require no action from you, however we do require a rental verification for all applicants in your party.4) Once we have received a rental verification from all applicants in your party or we have tried 3 consecutive business days with no response, we will send your application to our Vice President of Leasing for approval or denial decision. You will be contacted within 24 hours regarding our decision.5) If approved and the property is available, you will be extended a 24 hour hold. Before signing a lease with us, we will need the full security deposit and any other required fees in the form of a cashiers check or money order and any other requirements. We will not sign a lease without these items. If the lease is not signed within the 24 hour hold period, we will offer the property to the next approved group. Absolutely no exceptions.6) If denied, you are more than welcome to submit more information and be reconsidered.If you have any questions about our process, please contact me.Colin WilliamsTeam Leader
205 E. Forest Ave.
Columbia, MO 65203
main office: 573.228.9022
fax: 573.552.4366
web: modernpropertygroups.com
William Schafer w/ the Brian Sullivan Quartet - Maxine (live on KDHX) at St. louis 2006 - SoundCloud
wls777
Thursday, July 14, 2016
Monday, July 4, 2016
Gall
wls777
Sunday, July 3, 2016
Listen to my latest mix! Eye contact information
Listen to my latest mix!
Saturday, July 2, 2016
New Choc Elvis (billy sunshine kills) - SoundCloud
wls777
Wednesday, June 29, 2016
Sunday, June 26, 2016
Friday, June 24, 2016
Always bruh
But i try to love
Agape jazz
Sent to awaken the most extraordinary CE-5 event
@melayela
Thursday, June 9, 2016
Archangel of Trap at Hotel california of mid missouri - SoundCloud
wls777
Tuesday, May 24, 2016
Tweet by Billy Sunshine on Twitter
Billy Sunshine (@jazzresin) | |
'Bowie at the bottom of the sea - nov252015 at Now here studio B nowonzhohmpruductionzllc' on #SoundCloud #np soundcloud.com/jazzresin/bowi… |
Download the Twitter app
wls777
Monday, May 2, 2016
I want you to hear billysunshine A sort of dub burial ritual on SoundCloud
https://soundcloud.com/billy_sunshine/a-sort-of-dub-burial-ritual
I'm sharing it from the SoundCloud iOS app -- get it here, free: https://app.adjust.io/c1ofg4
wls777